Lise is a Parisian prostitute who has a young son, Sebastien. Lise dotes on her boy, who has a gift for music and sings in a children's choir directed by aging parish priest Father Andre. Sebastien becomes involved in an auto accident that sends him into a coma; after he remains unconscious for three months, Lise begins to panic, desperate for a remedy that medical science can't provide. When she is told of a field in a village in rural France where a miracle is said to have occurred some years before -- an apparition of the Virgin Mary arrived to provide food for a group of starving children -- Lise wants to travel to the site of the miracle to pray for her son. She also insists that Father Andre come along, but the priest is not eager to go, due to his age, his health, and his increasing cynicism about religion. Lise is persistent, however, and before long the two are on the road in search of a much-needed miracle.

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In this modern-day vision of Mother Mary's pilgrimage, a woman crosses the American Southwest playfully deconstructing the woman’s role in a world of roles.

A genderqueer widow carries a child using their late wife's embryo, creating a family that will forever link them to the love of their life.

Sue Ann is a loner who keeps to herself in her quiet Ohio town. One day, she is asked by Maggie, a new teenager in town, to buy some booze for her and her friends, and Sue Ann sees the chance to make some unsuspecting, if younger, friends of her own.

中国传媒大学2021届（2017级）动画联合创作

Ms. Ma is sent to jail after being accused of killing her daughter. She escapes in order to find the real murderer and starts solving other cases.

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Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères 　　Film Festival which took place from 1965 to 1983. It was at that time the most important 　　in France just after the glamorous Cannes Film Festival and a friendly place to discover 　　young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax 　　before they became a legend for the art-house film amateurs. Hyères was a vivid 　　space for passionate debates, incredible polemics and above all surprising encounters. 　　In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared 　　in 1983, it is not only because of internal and political conflicts but also for an unfair 　　competition with Cannes. The « Perspectives » section at Cannes, widely inspired 　　by Hyères, was attracting those same young talents discovered there. My personal 　　history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was 　　in charge of the “Cinéma Différent” section. Therefore, it’s with a real emotion that 　　I have dived into the festival’s unreleased archives - finding astounding debates 　　or hilarious reactions of the audience - in order to reweave the thread of that forgotten 　　and yet so meaningful story about Cinema.

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